These visuals are a direct continuation of the SAME universe.
They expand the project beyond a single transmission,
moving fluidly through space, dimensions, scales, and states of matter.
Micro and macro collapse into one another.
Digital artifacts coexist with organic textures.
The real and the synthetic blur until they become indistinguishable.
The recurring ghost-like figure remains the constant:
a whimsical, silent presence that travels across scenarios,
epochs, and energies.
Sometimes monumental, sometimes almost microscopic,
it acts as a vessel rather than a character—an interface between worlds.
Its form adapts, melts, refracts, but never disappears.
Aesthetically, the work drifts between cosmic abstraction,
ritual landscapes, cybernetic dreams, and a 1970s speculative-future sensibility.
Analog warmth, early electronic imaginaries, and contemporary digital processes collide.
Magic and technology are treated as the same force, viewed from different moments in time.
Curtains, veils, membranes, and liquid surfaces appear repeatedly as thresholds.
They mark passages between inner and outer states, between human perception and other forms of intelligence.
Landscapes feel inhabited by signals rather than beings.
Figures dissolve, environments breathe, light behaves like a living system.
This body of work functions as an evolving archive of visions—music, video, and still imagery forming one continuous language. It reflects my DNA as an artist and art director:
world-building through sound and image,
intuition guided by atmosphere and storytelling without fixed narrative.
These visuals are not illustrations of music, nor standalone artworks.
They are fragments of the same ongoing exploration:
energies in motion, identities without names, and the persistent idea that everything—human, digital, spectral, cosmic—is made of the same thinking matter..